Anholt
Arholma
Asker
Bönan
Böste
Djurö
Grinda
H55
Häringe
Kobben
Korsö
Koster
Kryss
Laknäs
Lidö
Nozib
Resö
Saltholm
Saltö
Skanör
Sundal
Tira
Viken
Susanne Grønlund
Alexander Lervik
Martin Dos Santos
Studio Norrlandet
Stefan Borselius
Matilda Lindblom
Björn Hultén
Carl Jägnefelt & Joacim Wahlström
Daniel Lavonius Jarefeldt
Emma Olbers
Nils-Ole Zib
Andreas Engesvik
Per Waern Jensen
Gunilla Norin
View all products
Benches
Chairs
Lounge Chairs
Lounge Tables
Objects
Ottomans
Sets
Sofas
Sun Loungers
Tables
Arild & Torekov
Boo
Havnsø
Marstrand
Möja
Nappa
Norrskär
Scatter cushions
Skogsö
Vinga
Martin Kallin
Bjarne Puggard
Alexander Stutterheim
Anna Löwenhielm
Barbro Berlin
TIMELESS ELEGANCE AT THE NOBIS HOTEL, PALMA
An architect’s oasis in the middle of the forest
Zannier Hotels La Chalet Megéve, France
Rosewood Hotels, Hong Kong
Viking Line Glory
Scandic CPH Strandpark, Copenhagen
Eden Rock on St Barths
HOUSE IN LEBANON, FEATURED IN ELLE DECOR USA
Koya Xishan, Taiwan
Copperhill Mountain Lodge in Åre, Sweden
Forte Dei Marmi in Miami Beach, USA
Hotel Nobis, Mallorca, Spain
“Good design is not the result of addition, where nothing more can be added; excitement first comes when everything unnecessary has been peeled away, and nothing else can be removed.” The words are Nils-Ole Zib’s, and while they might sound boring, or downright pretentious when yet another designer says he follows the “less is more” principle, Nils-Ole’s furniture really holds to this. Like the Nozib deckchair. And you realise how subjective everything is. In all its total simplicity, it simultaneously works as a sculpture, a shadow play, and a work of art.